Tradition meets style: Highlight on the Yakan tennun – Google

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Uncover what’s so special about this native fabric, which was as soon as only in the near past highlighted on the ‘Tennun Palaradjaan Designers Opponents’ in Okada Manila

MANILA, Philippines – The Philippines is home to a rich panorama of indigenous weaving traditions. Communities in diverse areas kind native textiles that embody their odd cultural identity and move inventive expression.

One such considerable fabric that has only in the near past won huge acclaim is the though-provoking tennun from the Yakan folks of Basilan.

A most traditional Mindanao Tapestry style display set up a genuinely-earned spotlight on tennun, with devices donning contemporary designs crafted from the though-provoking fabric by Filipino style designers.

So, what’s that this native textile that’s the total craze in the kind world, and where did it come from?

Weaving its origins

Tennun weaving is a centuries-mature tradition amongst the Yakan, an indigenous group from Basilan. In accordance to native label Anthill Fabrics, Yakan tennun is famous for intricate geometric patterns and plucky, symmetrical designs impressed by Islamic sacred geometry.

To make tennun, weavers originate by the usage of a back-strap loom. This loom is anchored to the weaver’s physique, which permits for a transportable setup and more intricate adjust over the weaving direction of.

In most traditional years, artisanal manufacturers admire Anthill Fabrics and Sky Weavers were championing the usage of tennun and other indigenous Filipino weaves in standard, wearable designs.

Anthill Fabrics, a social enterprise, collaborates without prolong with Yakan weavers to create a ramification of apparel, equipment, and residential goods the usage of legit tennun fabric. Equally, Sky Weavers, an Ifugao-owned textile startup, employs veteran “ikat” weaving tactics corresponding to tennun to craft contemporary style objects.

These vivid, intricate textiles believe long been a essential part of Yakan identity. In accordance to Anthill Fabrics, the craft has grow to be a sustainable source of profits for loads of families, in particular now that more artists partake on this multi-generational boom.

“Most of our weaves are made of upcycled cotton and polyester blend threads,” the Anthill Fabrics internet self-discipline reads. “We additionally believe pure fibers admire abaca that are naturally or synthetically dyed. We additionally believe zero waste weaves made of remnant fabrics and end cuts from commercial production.”

Sky Weavers, which debuted at some stage in Tennun Vogue Week in 2021, describes itself as “a cultural enterprise that works with indigenous weavers from Ifugao, Philippines, to create garments objects and equipment that are wearable in the standard age.”

‘‘Their weavers enlighten the backstrap loom to create ikat textiles with veteran patterns and tactics. They give the impact of being to raise Ifugao culture and textiles to the world stage, and to uplift the lives of weavers in Ifugao,” the put up continues.

By incorporating these veteran weaving ideas into their designs, manufacturers admire Anthill Fabrics and Sky Weavers preserve indigenous Filipino weaving traditions and adapt them for bigger audiences, seamlessly mixing age-mature artistry with standard aesthetics.

Modernized tradition

The most traditional Mindanao Tapestry style display was as soon as a visual testament to the standard versatility of tennun fabric.

Held in the Large Ballroom of Okada Manila in Can also goal, the Tennun Palaradjaan Designers Opponents featured 37 Filipino designers whose originate entries were made fully from tennun fabric.

Highlights embody Contestant # 14’s standout robe with plucky outsized sleeves, an asymmetrical instant-front/long-back hemline, and a hanging geometric pattern across the bodice.

One other was as soon as Contestant # 1’s ankle-length robe paired with a cropped jacket, each that includes an equally odd geometric Tennun print.

The competitors serves as a blueprint for how this aged craft could presumably very successfully be seamlessly woven into contemporary style, empowering native artists whereas charming good audiences. – Patty Bufi/Rappler.com

Patty Bufi is a Rappler intern.

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