Jewelry Designer Nigora Tokhtabayeva Designed the Trophy for Model Have faith U.S. Awards – Google
Nigora Tokhtabayeva developed her adore of jewelry from her grandmother in Uzbekistan, who believed in the spiritual and conserving vitality of amulets and diverse jewelry.
It was one amongst the explanations the young Uzbek jewelry designer started her occupy sustainable jewelry brand, known as Tabayer, in Miami where she grew up as a teen. Her widespread knot hoops had been frail by Tracee Ellis Ross, Meghan Markle, Gwyneth Paltrow and masses of more celebs.
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With sustainability in ideas, Tokhtabayeva was selected to construct a trophy for Model Have faith U.S.’s second 365 days of handing out awards to young designers at a Los Angeles ceremony on Tuesday night time.
“We are immensely honored to collaborate with Tabayer on the trophy construct for this 365 days’s Model Have faith U.S. awards,” acknowledged Tania Fares, founder of Model Have faith U.S. “It’s vital for us to align with creatives who now not ideal share our imaginative and prescient but moreover embody our ethos of fostering and nurturing innovation in the fad industry. We’re indignant to unveil the [trophy] construct and are confident it could perhaps per chance sign a memorable highlight of this 365 days’s ceremony.”
The Tabayer construct team determined to kind a handheld sculpture slightly than the next trophy fancy the one offered closing 365 days in a advent imagined by jewelry designer/sculptor Ana Khouri, who depends mostly in New York but on the initiating from Brazil.
Tokhtabayeva’s handheld model is modeled after the jewellery designer’s Oera motif, which employs a gold line that loops round fancy a needle and thread, as seen in Tabayer’s sequence of rings, bracelets and necklaces. That construct was “vital to kind a rigidity and balance within the sculpture to portray every designer’s hasten to achieving very unlikely feats in their occupy methodology,” the jewellery designer defined.
Tokhtabayeva, who is on the FTUS advisory board, solid the trophy in bronze and finished it with 18-carat gorgeous-mined gold, which was positioned atop a concrete unpleasant. The trophy’s rivet cramped print are an homage to the U.S. vogue industry’s historic past with long-standing clothing firms fancy Levi Strauss & Co., which started selling work put on blue jeans in the 1870s.
“We wished to means the construct of this trophy as a sculpture,” Tokhtabayeva acknowledged. “Confidently, it could perhaps per chance be something that the award winners will wish to proudly put in their homes as a share of art.”
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